I recently watched the first two seasons of Manifest, and this book starts in a similar vein: an airplane that departs, only to arrive years later.
And that's where the similarity ends 😎
I recently watched the first two seasons of Manifest, and this book starts in a similar vein: an airplane that departs, only to arrive years later.
And that's where the similarity ends 😎
A displaced mind (transplanted from a human body into a spaceship’s central computer) is part of a salvage team, and tries hard to keep its human compagnons / workers / assets alive.
Read by Nathan Fillion, who does a fairly good job, and the story ain’t half bad either. The ending is a little rapid, but otherwise a fine book, and a tad different from all the other stuff out there.
A ‘reverse world’ novel, where the men are rare, and thus valuable. It isn’t bad, but there’s little new in there except for the reversing of roles. It’s very well written, but halfway I gave up: there’s simply not enough happening.
(From Dapper / TellTales #110.)
Space Opera / Military SF, but with one twist: no artificial gravity thus far, which has a lot of impact on the scenes in space. Thus far it follows a predictable pattern (rogue starship flees because it’s captain was betrayed by the space navy’s top brass) but the alien races are interesting, the setting is interesting, and it’s completely without teen angst. (After sampling as many first person present tense works as I could I can only conclude that those are mainly targeted at YA / NA, and include lots of whining.)
(Click on the image to enlarge.)